
Mama Takes Manhattan?
Halloween is one my favorite holidays because I love a good masquerade. The holiday originates from the old Celtic festival called Samhain (pronounced "sah-win"). The Celts believed that the new year occurred on November 1, when the summer harvest was over and the cold winter was settling in. The night before the new year, October 31, the boundary between the living world and the dead became blurred, allowing the dead to walk the earth and the living to access a wider range of their powers.
When Christianity hit the land of the Celts in the 800s, the Church piggybacked on a lot of their rituals and altered them slightly so they became church-sanctioned. The Celts' new year became All Saints Day or All-hallowmas (from Middle English "Alholowmesse," meaning "All Saints' Day"), and the night before became All Hallow's Eve. From that came what we now know as Halloween, where our little demons and ghouls walk the earth and collect candy to appease their souls.
Whee! In honor of the roots of Halloween, I offer you a trick and a treat. First, the trick, and I warn you that it's a really scary puzzle and you shouldn't do it if you have a heart condition. You need the sound turned on to hear the directions, and the link will take you to a new site where the maze is located in the center middle of the page (I don't have copyright clearance to post it here).
Now for the treat. A librarian just informed me of the HowDunit series, which I'm ashamed to say I've never heard of but if you are a mystery writer, appears to be
indispensible. The series was initially published by Writer's Digest and is a series of books written for crime fiction writers. There's a book on poisons, a book on crime scene investigation, a writer's guide to weapons, a writer's guide to private investigating, and my personal favorite: Body Trauma: A Writer's Guide to Wounds and Injuries, featuring such gems as, "What the Glasgow Coma Scale is, and why it's important," and, "The Dirty Dozen: dreadful-but survivable-chest injuries." How have I been writing mysteries this long without this information?
Oh, and here's one more treat. A friend of mine got a Wonder Woman costume for Halloween when she was 10 years old, which would have been about 30 years ago. She'd don the red, white, and blue swimsuit, the white pleather go-go boots, the gold circlet on her head and the bullet-repelling bracelets, and strap on her golden lariat and wear it for days after Halloween had come and gone. She slept in this costume, and she got so good with the golden lariat that she actually roped one of her much-older sisters. My friend, Heidi-cum-Wonder Woman, said to her sister, "You must be honest with me as you are now ensnared in the Lasso of Truth." And her sister said, "You're a dork." See? The lasso worked.
Happy Halloween! What tricks or treats would you like to share?
by Felicia Donovan
I'll never forget meeting best selling author, Tess Gerritsen, for the first time. She was on tour for THE BONE GARDEN. I watched with fascination as this petite and delicate former physician proceeded to describe Early American and mostly barbaric, methods of amputating limbs in all it's goriest detail to the assembled crowd. My kind of gal...
Tess (and if you're a real fan, you'll know that's not her real first name), graciously agreed to an interview for InkSpot amidst a whirlwind tour for her latest bestseller, THE KEEPSAKE.
FD: You began your writing career in the romance thriller genre. What made you switch and do you ever miss writing them?
TG: I wrote HARVEST simply because I had a great idea for a book that didn't fit into the romance genre, and I wanted to write it. I certainly never expected to make such a successful career as a thriller writer. But then, I've never planned out my career -- I just followed my instincts and wrote the books I wanted to write. After the success of HARVEST, I realized that I could carve out a much better living as a thriller writer than I ever could as a romance writer. Yes, I do sometimes miss writing romance, but also manage to work some romantic themes into the stories. So I haven't veered that far from the genre.
FD: Can you tell us about your latest, THE KEEPSAKE and what kind of research you did for it?
TG: It was inspired by my long interest in archaeology. I was an anthropology major in college, and have always had a special fascination with Egyptology -- in particular, with the science of mummies. As part of my research, I was able to watch the CT scan of a mummy, and I thought: what if a museum discovers a shocking surprise when it scans a mummy in the collection -- a bullet in its leg? Suddenly, it's not an ancient artifact but a modern murder victim. And the killer is someone who has obscure archaeological knowledge, which he uses to preserve his victims.
FD: What's the most memorable moment you've had on book tour?
TG: It happened when I was on book tour for THE SURGEON, about a killer who slices open his victims and removes their organs while they're alive and conscious. An ordinary-looking man came up to get his book signed, and he whispered into my ear: "Thank you for writing this book. You allowed me to enjoy my fantasies." And then he simply walked out of the store. I always wondered what happened to him .. . and what his fantasies may have led to.
FD: At times, you've ventured away from Maura Isles and Jane Rizzoli. Do you ever feel pressured to write for your fans rather than write for yourself?
TG: Yes, that's certainly a pressure that weighs on me. Whenever I veer away from what my fans expect, I find that many of them don't necessarily appreciate my efforts. However, I also pick up quite a few new fans when I write something completely new and unexpected. GRAVITY (my book about the space program) pulled in many male fans who are still reading me. And THE BONE GARDEN (a stand-alone historical) also brought me many new readers.
FD: You recently acquired an Amazon Kindle. Can you share your thoughts on e-books? Where do you see them in the future of publishing?
TG: I think they'll be a growing segment of book sales, in particular sales of novels. I've found the Kindle easy to read and convenient for travel. But I must admit that when I'm home and have the choice, I'll always reach for a real book.
FD: How are the donkeys?
I have four of them (Spock, Scotty, Cassiopeia and Perseus). And they're doing very well, thank you. Donkeys are sweet, congenial animals, and they get along very well with everyone.
Many thanks to Tess for being so accommodating despite her very hectic schedule!
By Joe Moore
Book titles are critical. It’s that first impression when a potential reader glances down at the new fiction table in the local bookstore. And even if you’ve got a great title, you hope the publisher’s art department doesn’t somehow screw it up with the cover art. I’ve seen books with good titles that were almost impossible to read from a distance. And others where the design was so busy, it gave me a headache.
When Lynn Sholes and I decided to collaborate on our first book, we used CORPUS CHRISTI for the working title during the three years it took to write. Since it was a thriller about cloning Christ, we thought using the Latin for Body of Christ was cleaver. But when we sent it off to our agent, she pointed out the error of our ways. Could be a travel guide to a city in Texas. Could be a novelization of a Broadway play running at the same time. So we changed it to THE ENOCHIAN PROPHECY, a brilliant title that no one could pronounce or spell. Our publisher wisely changed it to THE GRAIL CONSPIRACY which has stuck in all the foreign translations except German.
Book 2 had the working title of THE THIRD SECRET. Steve Berry released a thriller by the same name so our agent changed the title to THE LAST SECRET. So far, it has worked for the foreign publishers that have translated it, although we haven’t seen the German version yet.
Book 3 had a working title of INDIGO RUBY for the year it took to write. The title had a great deal of meaning for at least two people: Lynn and myself. Again, the publisher stepped in and wisely renamed it THE HADES PROJECT which is exactly what the book is about. Clever.
BLACK NEEDLES was what we called number 4 which was the name we gave the deadly retrovirus that formed the threat of the book. Cool title, but it really didn’t tell the reader anything about the story. Could be a book about a knitting club for witches. So the publisher finally settled on THE 731 LEGACY. The book involves the Japanese WWII biological warfare division called Unit 731 and how its legacy propels the story. OK, we agree that was a wise decision and makes sense.
The working title to our next one is THE PHOENIX APOSTLES. We'll see if that makes it to print.
Sometimes it’s better to leave the titles to the marketing and sales department and just stick to writing the story.
So why are titles important? Paul McCartney’s working title of the Beatles classic “Yesterday” was “Scrambled Eggs.”
Have all your working titles made it to the cover of your book? If not, were you happy with the final version?
by Felicia Donovan
I've just returned from Bouchercon 2008, held this year in Baltimore, MD.
For me, it was a very special trip because I went with my sisters and it's been many years since we traveled together.
Among the many highlights was getting to visit with many fellow authors including Donna Andrews. Here we are at the Sisters in Crime Luncheon where we chatted about technology and writing. Donna posed with her upcoming
holiday book, SIX GEESE A-SLAYING. Love the title!
One of the nicest parts of Bouchercon for me was getting to meet new/old friends, many of whom I've known only "virtually," including former Midnight Ink author Tim Maleeny who was nominated for the Macavity Award for "Best First Novel," seen here with our agent, Jill Grosjean. In case you're wondering, indeed, that's a black widow spider emblazoned on my shirt. THE BLACK WIDOW AGENCY did not win the Barry Award, nor did Tim win the Macavity, though Tim was well-prepared to celebrate.
I did take a break from the conference to enjoy the beautiful sights of Baltimore's Inner Harbor. Here's a photo of the famous Dragon Peddle Boats.
Overall, it was a great conference with many bestselling authors in attendance. The "Belle of Baltimore," Laura Lippman, was this year's honoree and delivered a compelling address about her hometown and how some areas are very safe, while others have some of the highest homicide rates. She pleaded for understanding of the hotel workers' plight, some of whom were picketing outside and begged the crowd to be thankful and generous of their hard work.
Bouchercon 2008 will be set in Indianapolis. If there's anywhere near the turnout that this conference had, place your reservation early!
Thanks to Janet Evanovich, I write humorous mysteries. (At least I hope they're funny.) About seven years ago, I was having no luck getting my embarrassingly autobiographical "fiction" published, and I needed something to distract me. A friend suggested I read One for the Money. Couldn't put it down. What a person likes to read is personal, but I consider that book one of the top ten best mysteries ever written. It hit all the right notes--suspense, humor, sex, food. When I found out there were more in the series, I devoured them. When I was at the end, and she wasn't writing fast enough, I decided to try my hand at it, and so, the Murder-by-Month series was born.
So yeah. She's one of my idols. And on a whim, I recently emailed her and asked if she would agree to a brief interview, made up of five questions only a Stephanie Plum geek could love. Imagine my surprise when she graciously answered them! Here is the interview:
JESS: You are famous for your dedication to your fans, touring when it is no longer a career necessity. What keeps you going back on the road?
JANET: It's a way of staying in touch with my readers. And I love room service.
JESS: Ha! That room service never seems to find me in the basement of the Motel 8, but it's probably for the best. I don't know what they'd bring, but I'm pretty sure it'd have a hair in it. OK, next question. Tess Gerritsen tells a story of having one of the big dogs reviewing her first book. The review said, essentially, "This book will only appeal to readers who move their lips." Do you have any mortifying interview/review anecdotes that could make us mere mortal writers feel better about ourselves?
JANET: First, let me say that I've been known to move my lips while reading. Second, stop reading the reviews and interviews and use that time to improve a couple sentences in chapter three. Third, just about everything I do is mortifying ...it's a way of life.
JESS: Hallelujah! Back in your pre-published days, you wrote a few novels that would be categorized as literary, or mainstream, fiction. Ever think about dusting those off, revising them using your hard-won writing skills, and publishing them?
JANET: Nope. They wouldn't meet reader expectation in their present form and the editing would be so time consuming it wouldn't be cost effective.
JESS: And I certainly don't want to pull you away from creating more Stephanie Plum adventures! OK, Mark Twain once said, "I prefer having written to writing." (He also said, "Clothes make the man. Naked people have little or no influence in society," but that's beside the point). How about for you? Do you enjoy the act of writing, or is it still a challenge, albeit a grand one?
JANET: I prefer writing to having written. I love the process, the isolation, the unique world I go into every morning. Once the book is off my desk it belongs to someone else. The only really good part to having written is that someone sends me a check which allows me to go on writing.
JESS: That is a nice perk! OK, here's the big one, the one many of your fans are dying to know. If you were single and Joe Morelli and Ranger both came to life, whom would you choose? (Morelli would come with a lifetime supply of Cheetos; Ranger w/limitless grocery store birthday cake with crusty buttercream frosting.)
JANET: That's an easy one ...birthday cake.
Ha ha! Thank you to the lovely, ever-funny, and talented Janet Evanovich for her time! In celebration of funny mysteries everywhere, I'm sending out a free copy of August Moon to the three people who write the the best (as judged by me, using entirely arbitrary and shifting criteria) comment to this post. Here's some prompts: Whose your favorite character in the Stephanie Plum novels? Who do you think is the best actor to play Stephanie Plum, Grandma Mazur, Ranger, Joe Morelli, Lulu, Vinnie, etc. in a movie version of the series? Would you pick the Cheetos or the birthday cake? What writer(s) inspire you?
Happy fall, and thanks for reading!
Amazon is convenient, but it doesn't have a river view.