Showing posts with label Mama Rides Shotgun. Show all posts
Showing posts with label Mama Rides Shotgun. Show all posts

Monday, August 12, 2013

Don't Trash Research


Why, oh why, didn't I set my mystery series in California's wine region, or in Provence? Can you imagine the research I'd get to do then? 
Nope, I had to write about a rural, rodeo-and-ranches slice of Florida. As country as a turnip green, as the song lyrics say. 
The fictional town of Himmarshee, Fla., determines a lot about how the characters in  my Mace Bauer Mysteries behave, about who they are. In my upcoming Book 5, some of them are behaving badly. As usual. MAMA GETS TRASHED, after all, starts when the title character has a few too many sips of sweet pink wine. Tipsy, Mama calls it. Trashed, her daughter Mace would say.

Whatever, it leads to Mama unintentionally tossing her wedding ring from Husband No. 5 out with the garbage. Hence, the opening search scene in the city dump. 
Believe me, it ain't no lavender field in France. 
I know, because I actually hung around a dump --- and a maintenance lot filled with garbage trucks --- to give my story some verisimilitude. As a former newspaper reporter, I long ago had the importance of on-site research drilled into my head.
That’s not to say I've never questioned my commitment. Take the winter of 2007, for example. I was writing my second book, set on a cross-state horseback trek known as the Florida Cracker Trail Ride. On an afternoon many years earlier, I’d visited the ride to write a quick-hit newspaper feature story.
As with so many events I'd covered, that short article became the spark for a fictional tale. Even then, I was inspired. A ghostly mist hung over the pasture, shrouding cattle. Live oaks lifted gnarled limbs, dripping with Spanish moss. A stellar setting for a mystery.
The ride commemorates the cattle drives that once took place across vast Florida grasslands. It draws more than a hundred participants a year. In 2007, I saddled up to become one of them. I wanted to experience the ride the way my characters in MAMA RIDES SHOTGUN would experience it. As research.


  Of course, fictional characters don’t experience real-life aching muscles, or the humiliation of squatting outside to answer nature’s call and peeing all over their riding boots. But I’m getting ahead of myself.
I rode when I was growing up, galloping through orange groves on what’s now asphalt west of my hometown of Fort Lauderdale. At age fifty-something, I had no doubt the saddle would feel a lot harder than it did when I was fifteen. Even so, I expected camping out would be my real challenge. Ronald Reagan was president the last time I’d slept on the ground.
The first night on the trail, the temperature plummeted. A howling wind collapsed my tent. It rained sideways, soaking me from winter cap to wool socks. The thermometer hit 28 degrees – a rarity in Florida. It took some time the next morning for me to identify the slushee-looking stuff on my damp toothbrush. The Northerners call it “ice.’’  
With the freeze going into a second night, someone offered me shelter in a horse trailer. I was grateful for that stinky, hay-strewn stall, even if I did spend the rest of the ride picking straw stalks from my private parts.
It was worth it for the rich detail I gained from being there. Think what you will about mega-selling author Dan Brown. He’s right when he says “Google is not a synonym for research.’’
On the trail ride, I used free time between Ben Gay applications to interview riders. How do you get a skittish horse into a trailer? What if a murderer wants to poison the chuck-wagon chili? (That kind of question, by the way, raised eyebrows … until I revealed I’m a mystery writer.)
My research was a bit different for Book 3, MAMA GETS HITCHED. I didn’t go to the extreme of divorcing my husband of 25 years just so I could plan a whole new wedding. But I did contribute countless brain cells to watching reality TV episodes of Bridezillas. 
Kind of makes the dump seem not so bad.
How about you? Onsite or online research? Do you think you can tell the difference in the finished book? 


Thursday, May 5, 2011

My Dumb Ugly Baby


By Deborah Sharp

Why don't people like my middle child?

Don't work yourselves into a lather, parents. I'm not about to cyber-humiliate an actual youngster here. I don't even have kids. I'm talking about my middle book, Mama Rides Shotgun. Don't all authors think of their books as their babies? I know I do; and it makes me as mad as any mama to see my second-born being ignored.

This became clear to me last week at Malice Domestic, a conference of mystery readers and writers held each year near Washington, D.C. The good news: The conference bookstore, Mystery Loves Company, sold out of the first and third volumes in my Mace Bauer Mystery Series. The bad: There sat an ample supply of Shotgun, forgotten and forlorn, like the unpopular kids at that table in the back of the school cafeteria.

What is it? The trail ride setting? Too many would-be readers afraid of horses? Or is it the Shotgun of the title? Too old-fashioned a firearm in a world of SIG Sauers and Glocks? Ohmigod, is it the poor child's mother? Is she trying too hard?

Whatever. I feel like that mom who just knows her unpopular kid is as smart and special as the homecoming queen (maybe more so), if only the other kids would take the time to get to know her.

Maybe I'm just fooling myself. As a middle child, I have tons of experience in the realm of being overlooked. When the First Born comes along, everyone says: ''What a tiny, perfect miracle!''
With the baby of the family, friends and relatives gather to coo: ''Awwww, so cute!''
Here's what they say, eyes glazing over, about Little Miss Middle Child: ''Oh, I didn't realize you had three kids.''

Is it just me, or do other series authors see the same phenomenon? The debut continues to sell. The latest release garners some excitement. And the one in the middle? Glazed eyes and, ''Oh, I didn't realize you had three books.''

How will the series fare as I add more titles? My fourth, Mama Sees Stars comes out in September. So, will there now be two middle books as series wallflowers, while No. 1 and No. 4 dance under the disco ball at the prom? Or, will it still just be Shotgun, all alone in the corner, wearing the dunce's cap?

How about it, series authors? Do your middle ''kids'' get ignored? Readers, do you prefer to start at the beginning of a series? Or, will you happily pick up the author's titles in no particular order?

In other words, is this a general trend? Or, is it just my poor little Shotgun that's so unappreciated? Go ahead, be honest. Break a mother's heart.

Thursday, April 14, 2011

A Thief in the Night (and Day)


By Deborah Sharp

I have no qualms about stealing. Before you call the morals police, let me clarify. I'm talking quirks, tics, snippets of speech -- the kinds of things I observe in strangers and friends, and then turn into personal traits for my characters. All authors do it. It's the reason that websites can sell t-shirts to writers that say: Careful, or I'll Put You in My Book!

A former reporter, I've long been skilled in eavesdropping. Just because I changed careers doesn't mean I stopped doing it. When my husband and I are out to dinner, he can always tell when I start: Head cocked, distant look in my eyes, finger-shushing him. Yep, I'm mining the conversation two tables away for a valuable nugget.

Hard work, right? Well, somebody has to do it.

Sometimes, though, I don't even have to work that hard to steal. Sometimes, I'm given a gift. Like the note from a stranger that came across the e-transom the other day. ''I'm a 67-year-old who says whatever needs sayin,' and people can like it or not,'' wrote Carol, a feisty reader from Florida. ''A lot of people want me to be nicer sometimes, but people in Hell want ice-water, too . . . ''

I knew two things immediately when I read that sentence. One, I LOVED Carol. Two, Sure as shootin,' her words would be coming out of my ''Mama'' character's mouth just as soon as I could work them into the plot of my work-in-progress. (I know you're not asking, but that one's No. 5, and it's called MAMA GETS TRASHED.)

I e-mailed back to Carol, confessing my thieving tendencies. I told her I planned to steal her saying, and give it to Mama. She was so happy about that, she offered to send me some more.

I'm not always that upfront about it. And, people aren't always pleased to have their personalities purloined. To research the setting of my second book, I rode the Florida Cracker Trail cross-state horseback ride. After MAMA RIDES SHOTGUN came out, several of the female riders asked me, accusingly, if I'd based this description on them: ''... a middle-aged cowgirl whose bottom was too broad for her jeans.''

I denied it. In that case, I was actually describing me.

People always assume the Mama character is based on my own mother. They're right, of course, and they're wrong, too. Unlike the books' Mama, my mother is not a Southern belle. She's . . . gasp! . . . a Yankee. On the other hand, my mama has had multiple marriages. She drinks cheap pink wine. She's gambled a bit with the Seminoles. Just like the ''fictional'' Mama.

Even so, it's never bothered my mother that I borrowed some of her traits for the books. The one thing that does bother her?

"I don't like that title,'' she told me, as No. 1 was hitting bookstores.

"Well, it's too late now,'' I said. "But, why not?''

She pointed at each word on the cover: ''Mama Does Time? People are going to think I'm in prison!''

So, allow me to set the record straight here. My mama, at 96, is not in prison. At least not currently.

How about you, writers? Do you steal for your characters? Readers, have you ever recognized yourself in someone else's book?

Thursday, April 1, 2010

It's a Long Way to Timaru


By Deborah Sharp

I'm in Timaru, on the South Island of New Zealand, where today is already tomorrow.

Well, actually I'm not in Timaru. My first book is. Some 8,300 miles and many, many time zones from my home in Florida, the Timaru District Library holds a copy of Mama Does Time. This, of course, raises the question of how in the world a library at the other end of the earth came to possess a book about a crazy Southern belle who lands in the slammer when she can't explain a body in the trunk of her turquoise convertible. Someday, I may find out that answer.

But for now, I'm jazzed at the knowledge that Mama is traveling the world. How do I know this, you might ask?

WorldCat.

At the risk of giving my fellow authors yet one more list to obsess about, I'll explain. WorldCat accesses the catalogs of thousands upon thousands of libraries all over the globe. You can go to the site, plug in the title of your book, and find out where it is -- or isn't -- in the collections of more than 70,000 libraries worldwide.

Hence, Timaru: Two hours south of Christchurch, known for Caroline Bay and the annual Rose Festival. And now, of course, for ordering the debut novel of the Mace Bauer Mystery series. I know you won't be able to resist looking for your own books on WorldCat. (FYI: Some of you are in more libraries than I am; some are in fewer. Don't plug in Twilight for comparison, unless you have a case of wine handy.)

Here's the exact web address I used, to get you started:

http://www.worldcat.org/title/mama-does-time/

Of course, being an insecure author, I immediately began to worry. Why did I find Book One but not Book 2 in Timaru? Didn't they like the first one enough to order Mama Rides Shotgun? Did they have trouble deciphering the Southernisms? How would you say "Well, butter my butt and call me a biscuit'' in Kiwi?

I was somewhat mollified that the number of libraries holding a Mama novel has risen from Book One to Book Two, even though I haven't (yet!) received that important Library Journal review. I also discovered that Mama Rides Shotgun has made its way all the way north from the cattle belt of Florida to the library in Wasilla, Alaska.

I wonder whether Sarah Palin has a library card? If so, do you think she's had time to check out Shotgun?

All of this does lead somewhere, y'all. Libraries are hugely important to readers, and to writers. They help expose our work to the world. So here's the question: With so many of them struggling, how have you reached out to help a library?