SETTINGS AS CHARACTERS?

Darrell James

I was once asked, What’s the toughest part of writing a novel? Without thinking, my knee jerk answer was “Decision Making.”

Authors make decisions even before the writing begins. What to write about? Where to set the story? Where to begin the telling? And the decision making continues throughout the process until the very end, deciding on the minutia as well as the major plot and character elements.

One of the decisions an author must make early in the writing process (perhaps even early in their career) is: Will my story(s) have a fictional or real setting?

Some authors have made real settings part of their own storytelling brand, (Michael Connolley’s L.A., Dennis Lehane’s Boston) by using real places (restaurants, bars, hotels, buildings, streets, rivers, and landmarks) as the backdrop for their fictional characters. Others prefer to fully fictionalize their settings. While, still others, offer a mix of the real and fictional elements.

Stephen King has created towns so familiar and real to us that we can hardly think of them as fictional. Yet, the towns of Derry and Castle Rock are fully the fabric of King’s imagination, set topographically amid the greater (real) Maine landscape.

I personally like this approach. And, as an author, it offers a couple of advantages. The first is flexibility. Elements of the fictional setting can be decided (that word again), manipulated, and fully architected to support the plot. The other advantage (and this is the important part to me) is that the author can fully imagine the setting and breathe a personal life into it, treating it, in many ways, as a character in the story.

In my forthcoming novel, Nazareth Child, missing persons investigator, Del Shannon, goes in search of the mother she’s never known. Her quest leads her into the clannish hill country of southeastern Kentucky, to the town of Nazareth Church, where the infamous faith healer, Silas Rule, seems to hold the key to her mother’s past.

These hills (and it’s people) are my roots. It is the birthplace of my mother and father. The DNA of my existence. Take the mountain parkway southeast out of Winchester, and your journey will take you through the very real towns of Clay City, Stanton, and Bowen, all mentioned and used as real topographic anchors in the story. But, search as you might, you won’t find the town of Nazareth Church anywhere but between the pages of the novel.



From the giant cross that marks its entrance, to the old cemetery, and church without windows, it’s all fictional. And, yet, so very real to the possibilities and likelihoods that one will scarcely know the difference.

Nazareth Church has become real in my mind. It lives. It breathes. And it plays a very “real” role in the development and outcome of the story. Only in fictional form can it fulfill its role so completely.

What about you? As a writer, do you prefer to write real or fictional settings? As a reader, which do you prefer?


Nazareth Child, a Del Shannon Novel, is scheduled for release in September. It is currently available for pre-order on Amazon