Sunday, May 12, 2013

Details, Details

by Sheila Webster Boneham
 


Years ago (at least fifteen), I passed a novel I had enjoyed along to my husband. Roger is a geologist, and the "love interest" in the book is a geologist, and I thought he might enjoy the story and relish meeting one of his own in a romantic lead of sorts. And he did, for the first chapter or so. Then he put it down in disgust.

"Some geologist!" he said.

Turns out the guy in the book had waxed eloquent about the cleavage in a piece of quartz. Problem is, quartz has no cleavage (which means that when it breaks, it has no parallel surfaces). That booboo clattered right by me, but for the reader in the know, it was a book-stopper.

I run into this all the time in books with animals, especially dogs. (I've shown, bred, rescued, written about, trained, and judged dogs for more than two decades, so, yeah, I care that "dog things" are accurate.") I recently read a novel in which the protagonist's dog is identified as a specific rare breed. Exciting! Then the dog is described. She's a color combination that doesn't occur in the breed and she weighs about half what she should. I had enjoyed the first pages of the book, but found it hard to keep reading past such glaring errors.

And then there was the best-selling memoir a few years ago about growing up in southern Indiana, a place of forests, deep ravines, and rolling country that I know well. I perused the book at a conference in Indianapolis, thinking I would buy a copy, but when I read that Indiana is "flat as a pancake," I was finished. Well, almost finished - I did point out the passage to a friend and the two of us snorted and laughed and snarked about pandering to East-Coaster sterotypes about the Midwest. The author's mother was standing right behind us. Ah, well.

I'm sure we've all read things in which some error in our own field of knowledge damaged or destroyed our faith in the author. In fact, almost everyone I've asked about this has produced an example from personal experience. Many of them also express similar reactions. Disappointment ("I was looking forward to this book, and then..."). Loss of trust ("If the author is wrong about the things I know, how can I trust the rest of the information?). Disgust ("It's not that hard to check the facts!").

And really, it's not hard at all. First, of course, we have the Internet. Granted, we have to be judicious about our sources, but as long as we use credible websites, blogs, forums, and other online resources, we can check out almost anything. Or at least get a leg up.

We can also go old school - libraries, books, reference librarians. All good.

We can find people who know. I saved myself from a serious error in Drop Dead on Recall by asking a physician friend read a passage in which a character uses an epinephrin pen on his wife, who seems to be having an allergic reaction. Myfriend's terse response? "Well, he just killed her." Seems my character's technique left a little to be desired. I learned, and he does it properly in the book. In that case, I called on a friend, but it isn't hard to find people in the know, and most people are generous about helping us get things right.

Need the skinny on a location? As my husband, Roger, likes to say, there's nothing like a site visit. Whether its a place or a kind of event or an institutional setting, we can do lots of reading, watch videos and films, peruse photographs, but nothing beats being there. How does the quality of light shift by the minute on the Carolina coast at sunrise? How does the heat dissipate in the high desert as the sun drops behind the Sierras? How does the grooming area at a dog show smell, or the waiting room in a hospital sound? If we can't get there, then once again, finding someone who has been there to read what we write can save us from grievous goofs, and may even give us some telling detail to add.

I'm working on the third Animals in Focus mystery right now, and am planning a couple of site visits of my own. I've already lined up some experts to keep me honest, and I have files upon files of background info. Luckily for me, the research I'm doing for this book isn't tedious at all. I get to interview lots of lovely cats and dogs.


Wednesday, May 8, 2013

Malice Domestic 2013


by Shannon Baker
Wow. Malice Domestic.
This pic is from the wonderful panel I shared with our generous and funny and talented Jessie Lourey. (Lea Waits, Jess Lourey, Molly Westin, me, Nora McFarland)

This was my first Malice and what an experience! I’m so excited to be able to now put faces to several of the Inkers. I won’t go into too much detail about what kind of faces they are, but almost without exception they were happy and welcoming and I’m so happy to be part of the tribe.

For those of you attending, you know what a great time it is. For those who sadly had to miss it, I won’t rub it in. But I did want to impart just a few choice tidbits I picked up going to panels. I did attend a few, really. I didn’t spend all my time in the bar.

I loved meeting and hearing Harlan Coben speak. What a class act. He’s successful, brilliant and way nicer than I’d expect a super star to be. He’s also not afraid to admit to insecurity. In his panel, he spoke about how he feels when he finishes a book. He slapped that shiny head of his and said, “I’m sure that’s the last one I’ll ever write. Thanks for the ride. I’ll have to go get a real job now.”

He went on to say that all writers are insecure. “Only bad writers think they’re good.” He did not, however, add that if you think you’re bad, you’re actually good. That kind of message might have really made my day. As it is, I can find comfort in knowing that even the great suffer.

I’d like to attribute this little insight to the right person and it might have been Harlan Coben, as well. It’s scribbled on the back of the same bookmark as these other remarks. But it could have been Sara Henry. So much of last weekend is a Jackson Pollack of thoughts, faces and great ideas in my mind. Anyway, the smart writer spoke about how each reader brings their own experience to every book. A writer might have one thing in mind but every reader experiences the images through their own filter. “Ideas in readers’ heads are like snowflakes, each one is different.”

My favorite line from the weekend’s panels again came from Harlan Coben. (Okay, a little hero worship going on here.) The panel members were talking about how they write, quick first drafts, followed by subsequent edits, or painstaking first drafts nearly perfect when finished. Coben said he’s a quick-first kind of guy, then said that for him first drafts were like illicit affairs. They are new and exciting and all-consuming. You can’t stop thinking about them, you want to be with them every second. There is no downside. He added that later drafts are more like long relationships and take work but have their own rewards.

A huge thank you goes out to the conference organizers. I can’t imagine the level of sacrifice it takes to pull off something so wonderful.

Finally, it would be a crime for me to let this opportunity pass without mentioning Midnight Ink’s own, Catriona McPherson and her big win of the Agatha for Best Historical Novel. Congratulations!

Monday, May 6, 2013

Storytelling in Another Medium


By Beth Groundwater

My husband and I are both volunteers for the Breckenridge Festival of Film, which will take place this year September 19 - 22. My husband will be a volunteer projectionist, showing films in one of the viewing venues during the festival. I have volunteered to be the Short Drama Category Head. As such I will watch and review ALL of the submitted short drama films and help the Programming Director select the Short Drama films that will be shown at the festival. Good storytelling is good storytelling, regardless of the medium, and I have been a short story judge for many writing contests in the past. So, I'm putting that experience to use in selecting short films.

My husband and I are also reviewing films in other categories, such as Documentary and Long Drama, when we can. As a fiction author, I'm familiar with the structure of story-telling, and as a former Universal Studios guide and techie friend of Pixar programmers, my husband is interested in the technology of cinematography, sound, and special effects. So, we felt like we had something to offer as reviewers, regardless of the category.

So far, I have watched and evaluated over thirty films. I rated each one on a 5 point scale, with 1 being "a horrible film" and 5 being "yes, definitely include it in the festival." I have also provided a paragraph of text explaining each rating. I've used all of the 5 categories so far, so I've watched some brilliant films and some poorly-made or just plain confusing films.

It's been an interesting experience to be on the evaluation side of the review equation, rather than having my own books evaluated by reviewers and readers. I often find that looking at other people's stories with a critical eye helps me hone my skills in ferreting out negative aspects of my own writing that need fixing. My experience in judging writing contests and participating in critique groups has proven this to be true. And, I expect the same from my film reviewing experience.

It's also exposed me to some very interesting projects. My horizons have been expanded, and I know that attending the festival itself will expand them even more, as it did last year when I attended. I admire the risks that these filmmakers are taking, even when those risks don't pan out. If you have the opportunity to attend and/or volunteer for a film festival near you, I suggest you do it. You'll get a lot out of it. Here's a list of outstanding film festivals to get you started. There are many more, and I'm sure you can find one in your area!


Have you ever attended a film festival? If so, which one? What did you think of it? Please share in a comment!

Saturday, May 4, 2013

INKSPOT NEWS - May 4, 2013

Here are the new releases from Midnight Ink for May, 2013. They're all astounding reads!


Brush With Death by Karen MacInerney

"A welcome return to Maine's Cranberry Island and its sleuthing innkeeper, Natalie Barnes."     —LIBRARY JOURNAL

"The fifth Gray Whale adventure provides complex characters, stunning scenery and many recipes."     —KIRKUS REVIEWS

Carved In Darkness by Meagan Beaumont

"Pulse-pounding terror, graphic violence and a loathsome killer."     —KIRKUS REVIEWS

"Beaumont knows how to keep you on the edge of your seat . . . Buckle up for the ride of a lifetime, this one is the roughest rollercoaster you ever had to endure."     —SUSPENSE MAGAZINE

 Heard It Through the Grapevine by Lizbeth Lipperman

“Cozy fans will have fun.”     —PUBLISHERS WEEKLY

“Entertaining, wickedly hilarious, and thoroughly addictive . . . a spectacular reading experience.”     —SEATTLE POST-INTELLIGENCER

Picture Perfect Corpse by Joanna Campbell Slan

“The characters are so well developed that each installment leaves the reader yearning for the next.”     —KIRKUS REVIEWS

“A damn good read . . . Treat yourself to a wonderful traditional-feeling mystery with characters you will love.”     —CRIMESPREE MAGAZINE

Tuesday, April 30, 2013

BOOK LOVERS' BUFFET BOUQUET OF BOOKS


by Lois Winston

As you’re reading today’s post, I’m getting ready to attend Malice Domestic, a wonderful yearly convention of mystery authors and fans that will be held in Bethesda, MD May 3rd-5th. I’ll be taking part in Malice-Go-Round, speaking on a panel about how season affects story, and doing a book signing. At the conclusion of Malice Domestic, I’ll be heading to Oakmont, PA for the annual Festival of Mystery on Monday, May 6th.
However, there’s also something else going on over the next three days that I’m very excited about -- the Book Lovers’ Buffet.

A group of authors, many of them bestselling and award-winning authors, have gotten together to offer the Book Lovers’ Buffet, a special “Bouquet of Books” sale running from May 1st through May 3rd. During these three days, more than 175 e-books are reduced in price to just .99 cents. Categories include contemporary romance, young adult, mystery & suspense, historical, paranormal, and more.

I’m taking part in the sale with Hooking Mr. Right,one of my award-winning contemporary romances, written under my Emma Carlyle pen name. Hooking Mr. Right is a story about a guy, a girl, and a matchmaking cat. And because some people believe the way to a man’s heart is through his stomach, there are also some mouth-watering recipes included.

If the chance to buy over 175 e-books for only .99 cents each isn’t enticing enough, there are also prizes galore. Visit the Book Lovers’ Buffet website for a chance to win gift cards to your choice of online retailers. $400 in gift cards are up for grabs! A total of twenty-two gift cards will be given away-- one $100, two $50, four $25, five $10, and ten $5 cards.

So click on over to the Book Lovers’ Buffet and fill up your Kindle or Nook full of great summer reading before the sale ends. After May 3rd these books will go back to their regular prices.

Monday, April 29, 2013

The Witch of the South: Spotlight on Mona McGregor


by Jennifer Harlow



Under the guise of writing a story about how to run a successful small business, I was granted an interview with Mona McGregor, propritress of Midnight Magic in Goodnight, Virginia. In truth I had gotten her name from Dr. George Black, head of the F.R.E.A.K.S. Squad, months before as part of a series of articles for Government Secrets Gazette, which is now defunct thanks to budget cuts. Hoping to blackmail or at least get a viable story, I decided to meet with as many supernaturals as possible before I, you know, got caught. Ms. McGregor was the last to accept the invitation. I met her at her two-story Victorian home in her modest yet comfortable living room. Here is a transcription of the conversation:

Jennifer Harlow (JH): Thanks so much for meeting with me. And the tea.
Mona McGregor (MM): You’re in the south now, hon. You step in this house, I’m duty bound to feed and water you, whether you like it or not.
JH: Well, I have always appreciated the kindness of stra—

Two little girls, one about ten and the other a few years younger, come barreling in from the kitchen. [I later learned their names are Sophie and Cora.]

Cora: Aunt Mona! Aunt Mona! Sophie won’t let me have some soda. Tell her I can.
MM: You’ve had enough sugar today. You’re about a sugar cube away from running to California Water only. And don’t disturb us again, okay?
Sophie: Yes, Aunt Mona.

The elder escorted the younger from the room.

MM: Sorry about that. Everything’s a drama. So, we better make this quick before they find more trouble. Ask your questions.
JH: Fair enough. You run a magic shop, Midnight Magic. How did that come about?
MM: I inherited it from my grandmother about ten years ago. It was opened over a hundred years ago by my Great-Great Grandmother Ramona.
JH: So, when you inherit the coven, you also inherit the shop?
MM: Excuse me? What coven?
JH: The one you’re High Priestess of. According to George Black, you have over a hundred witches under your tutelage. You’re the most powerful witch in America, if not the planet. I’ve even heard you could rule the world with one hand and bake a cake with the other all with a gorgeous smile on your face. Kudos.

The witch stared me down for a few seconds.

MM: You’re not here to talk about my store, are you?
JH: Actually I’m compiling a tome on supernaturals such as yourself. I just left Kansas after talking to a telekinetic F.R.E.A.K. I lied on the off-chance you wouldn’t talk to me. Sorry. But George can vouch for me. I’ve known him for years. I’m practically an honorary F.R.E.A.K. Call him. Or Jason and Vivian Dahl, or Anna West. I’ve met them all. Got their stories, now I want yours. Bet it’s a good one. So…from what George tells me, you can control the elements: earth, air, fire, water.
MM: [a long pause] Yeah, I’m a walking natural disaster.
JH: And you’ve been in charge of the coven since you were, what? Mid-twenties if I recall correctly. Quite a responsibility for someone so young.
MM: I’d been groomed to do it almost since birth.
JH: And you’ve lived in Goodnight all your life? Ever want to leave? Give the job to someone else?
MM: Never. Like I said, I was prepared from birth to do it. It’s why I was put on this earth. To help people, to guide them. It’s hard, yes, and sometimes I want to throttle these people, but I keep calm and carry on.
JH: You’re also one of the people in charge of the annual supernatural summit. I would think werewolves, vampires and witches wouldn’t get along.
MM: That’s why the summit is so important. It provides community. Allies. Support. When your existence is supposedly surrounded in secrecy, it’s hard to find people in the same situation as you. It can be quite lonely.
JH: I can imagine.
MM: I doubt it. [a pause] Anyway, we help each other when needed. Co-oporation. I even attend the pack Christmas party. When I’m brave enough.
JH: Yeah, they are an intense bunch.
MM: To put it mildly.
JH: Seems like you have lot on your plate. Shop, over a hundred witches, kids, taking on other supernaturals problems in the spirit of cooperation. When do you find time to sleep? Or date? [She just stared at me. Obviously a sore subject. I cleared my throat.]  So, can all witches manipulate the elements?
MM: Only a High Priestess. All witches can perform spells, create potions and charms though.
JH: What does it feel like when you perform a spell?
MM: Your body goes warm and it’s like your battery is being filled. Then when you release it, it’s like releasing static electricity. That’s all magic is really. Energy.
JH: Ever have any problems with people doing black magic? Raising demons and such?
MM: Not really. Most witches are pacifists. We’re about nature and balance. Violence upsets that natural balance. Goodnight hasn’t had a death by supernatural means in decades. [scoff] We’re not werewolves.
Cora: [in other room] Aunt Mona! I need help with my homework, and Sophie’s being mean!
MM: [rolling eyes] I’m sorry, I’m going to have to cut this short. We have homework, and dinner, and I have a ton of potions still to make not to mention my sister just got engaged so…
JH: No rest for the wicked, right?
MM: [standing]Something like that. I hope you got everything you need.

I stood and was escorted to the door.

JH: Thanks for your time. And the sweet tea.
MM: Just…out of curiosity. Who said that about me? The gorgeous smile and ruling the world thing?
JH: A good reporter never reveals a source, Miss McGregor. But I will say you may not think highly of werewolves, but one sure does think highly of you.

With a wink, I walked off her painted porch. 

To find out more about Ms. McGregor and the town of Goodnight, check out What's A Witch To Do available now.



  

Friday, April 26, 2013

Guest Blog: Adult Truths


Today, let's give a big Inkspot welcome to Stephen L. Brayton. 



“I'm always slightly terrified when I exit out of Word and it asks me if I want to save any changes to my ten-page technical report that I swear I did not make any change to.”

Yeah...I get this a lot on my documents. I'm tempted to hit Control-Z so it will erase any change I supposedly had made, but that scares me even more.

This truth made me think of note taking and how I change not only documents, but outlines and entire stories.

I'll detail outlining in a future Truth, but one of the rules to keep in mind if you are scared of outlining is: don't be governed by your outline. Unless you're Jeffrey Deaver and produce a 200 page outline knowing every single detail, your story is going to change. In fact, I'll wager that Deaver's changes as he moves through the story, if even minutely.

I am constantly making notations on my outline. Questions about certain locations or other information pop up so I jot a note to find time for research. I think of additional scenes or things to add to a scene. Recently while jogging, I thought out all of the details regarding a future fight scene my heroine Mallory will have. When I finished my run, I immediately wrote the choreography of the fight. Sometimes I run into problems, usually time related and I'll make a note to review the day's activities within the story and either change a few things around or create new scenes to add. I don't like lag time. I don't like hours passing without knowing what is happening, even if my character is sleeping. I remember a particular book I read for review. I don't recall the title, but I thought the story flawed because literally days would pass within the story where nothing happened. However, the plot was such that-since it was a murder mystery with a killer on the loose-SOMETHING needed to be occurring. The detectives just didn't sit around all day. The author thought he could jump ahead to the action scenes but threw off the reader because nothing happened. I would have loved to have seen this guy's outline if it existed.

Ideas can occur anytime, anywhere. In the shower, while dreaming, while sitting at a bar slugging back martinis. (Uh, I've never done the latter, mom, so you don't have to worry. Besides, I don't like martinis.) You hear about authors writing notes on napkins and paper menus. Even on their own hand. I don't get that exotic. Scrap paper usually does the trick. The challenge is putting those scraps in a place where I won't forget about them. Yes, I have forgotten some notes, discovered them later and was unable to either remember why I wrote the note at the time or couldn't understand to what I wanted to refer.

Katherine, an author friend I've mentioned in previous blogs, saves everything. She has emails she's never opened dating back almost a year. I know this because I once sent her an email regarding a marketing plan and I subsequently lost mine. A year later, she found the email. She also saves each rewrite of her manuscripts. This is not a bad idea for some people. If you remember what changes you made the previous times, you can retrieve the information if needed in future rewrites.

The key to note taking, I think, is to not let the idea sit in your head until you can find time or material to write it down. Don't wait. Have a notebook with you constantly or have access to something at all times. If you wait even an hour until you have paper/time, you may risk losing the completeness of the thought. I know this from experience. Get it down on paper fast because to wait means other distractions intruding and designating that awesome idea to the background where it may become watered down or, heaven forbid, forgotten.

Whether it's a story idea, the germ of an idea, a news article that strikes your fancy, a scene change, a chapter addition/deletion, or a complete rewrite plan, get it down.

Save it. Save it again just to be sure you have it.

Then save it again.


Stephen L. Brayton owns and operates Brayton’s Black Belt Academy in Oskaloosa, Iowa. He is a Fifth Degree Black Belt and certified instructor in The American Taekwondo Association. He began writing as a child; his first short story concerned a true incident about his reactions to discipline. During high school, he wrote for the school newspaper and was a photographer for the yearbook. For a Mass Media class, he wrote and edited a video project. In college, he began a personal journal for a writing class; said journal is ongoing. He was also a reporter for the college newspaper.During his early twenties, while working for a Kewanee, Illinois radio station, he wrote a fantasy based story and a trilogy for a comic book. He has written numerous short stories both horror and mystery. His first novel, Night Shadows (Feb. 2011), concerns a Des Moines homicide investigator teaming up with a federal agent to battle creatures from another dimension. His second book, Beta (Oct. 2011) was the debut of Mallory Petersen and her search for a kidnapped girl. In August 2012, the second Mallory Petersen book, Alpha, was published. This time she investigates the murder of her boyfriend.