Tuesday, April 23, 2013

One Extraordinary Librarian


by Kathleen Ernst

Like all writers and readers, I owe a huge debt of thanks to librarians.  As a history junkie, I’m particularly interested in the pioneers in that profession.

I recently attended a special event called “The Women of Mill City” at The Mill City Museum in Minneapolis, MN. Actors portrayed several remarkable women. 


In belated honor of National Library Week, I'd like to share a bit of what I learned about Gratia Alta Countryman--who once wrote in a letter to her father, "I do so long to be more than an ordinary woman."

The daughter of immigrant farmers, Gratia Countryman (1866-1954) grew up in a time when libraries were often accessible only to those who could pay a membership fee.  She attended college and became a librarian in 1889.

In 1904, she became head of the Minneapolis Public Library—the first woman to lead a metropolitan library system. In 1934 she became the first woman president of the American Library Association.

(Minnesota Historical Society/Creative Commons)
She is perhaps best remembered for her philosophy of outreach. She wanted all residents to have access to books, regardless of their income level or social status.

In her 1905 Annual Report she wrote, “How to reach the busy men and women, how to carry wholesome and enjoyable books to the far-away corners of the city, how to enlist the tired factory girls...these are some of the things which I conceive to be my duty.”

During her 32 years as head librarian, she was responsible for the construction of 12 new branch libraries and the addition of over 500,000 volumes to the city collection. She established a book wagon. She created satellite libraries in factories, hospitals, prisons, community centers for new immigrants, parks, the Salvation Army, and many other locations.  She started the first children's department in the country.

(Wikipedia)
When Gratia Countryman died, her eulogy captured her passion for libraries and literacy:  “In her youth a library was a sacred precinct for guarding the treasures of thought, to be entered only by the scholar and the student... Her crusading zeal carried the book to every part of her city and county, to the little child, the factory worker, the farmer, the businessman, the hospital patient, the blind and the old.”

After the performance at the museum, I spoke with the Living History Player who portrayed Gratia.  We lamented the fact that instead of continuing to build upon Countryman’s accomplishments, recent years have brought a reduction in library services.



I hope that pendulum swings back again.  As Gratia Countryman knew, libraries are not luxuries.

Monday, April 22, 2013

Fun with Anthropomorphism

By Deborah Sharp

An osprey flew overhead the other day as I sat on the backyard dock. The big bird clutched a mullet in its talons. Sometimes, I watch as a fish flops and wriggles, trying to escape. Once I saw one break free, splashing into the New River and darting away in a streak of silver.
But not this fish. He didn't wiggle. He didn't struggle.
''Check out that mullet's face,'' I said to my husband. "He looks completely resigned to his fate.''
"Oh, great. Now you're reading the fish's mind.''
Now, I know that many scientists -- along with my husband -- scoff at ascribing human emotions to finned, furred and feathered creatures. We're just projecting our own feelings and interpretations unto them, the scientists say. Still, in the proud tradition of many a mystery author, I'm not above a bit of anthropomorphism now and then. In my Mace Bauer Mysteries, a gator may look accusingly at the main character -- who has a sideline as a trapper. Sometimes, a cat that Mace inherited seems to listen sympathetically to her problems.
In my life outside fiction, I frequently imagine I know how an animal ''feels'' by the expression on its face.
A squirrel scurrying across an oak branch took a tumble and hit the ground, right at my feet. He wasn't hurt, but before he scrambled away, he shot me a look of sheer embarrassment. Recovering quickly, he replaced it with what looked more like cockiness.
"Uh, yeah, I intended to do that,'' said the look on his pointed little face.
I've also seen proud horses, regal birds, and confident cats. They reveal so much in the way they hold their heads, along with the look in their eyes.
I thought I was alone in this little quirk until I stumbled across thousands of hits for ''Guilty Dogs'' on the Internet. (Honestly, you can get lost, but here's one fun site: http://thefw.com/guilty-dogs-in-act/  )
Not only do all these jillions of people believe their dogs feel guilt, they catch them conveying that very emotion through adorable expressions. Here's one picture of such a dog:
And another:


Cat lovers have also jumped on the bandwagon. As far as I'm concerned, the feline pictures don't measure up. The cats don't appear remorseful to me. They look brazen. Defiant. But maybe I'm just projecting my own feelings onto them. You be the judge as to whether this kitty feels bad: 


Right. I didn't think so. 
How about you? Do you use (or like to read about) animals in your mysteries? Do they express human emotions?




Saturday, April 20, 2013

INKSPOT NEWS - April 20, 2013

On Sunday, April 28, 2013, from 1:00 – 4:00 PM, Midnight Ink author Beth Groundwater will sign books at the "2013 Meet the Faces – Colorado Author Open House" at the Englewood Public Library, 1000 Englewood Pkwy, Englewood, CO 80110-2373.

Friday, April 19, 2013

Our Guest Velda Brotherton's Take on Sympathetic Characters

Today visiting our blog is Velda Brotherton, author of the recent Wilda's Outlaw: The Victorians. Thank you, for being here today.




Sympathetic Characters Make Your Story



Several reviews of my books claim my strongest point is creating characters, and sometimes I'm not sure how that came about. People fascinate me, especially those who are slightly off kilter. Who walk the edge and often topple off it. One thing's clear, in all the years I've spent writing and observing people, they do change and often. If everyone remained the same from young adulthood to old age, how boring they would be. Both to others and themselves. And one thing's for sure, even the best plot will fall flat without interesting characters.
As I create characters, they change over the course of the story. They adapt to the world around them, wherever they may go. They grow stronger and wiser while they struggle to survive whatever I throw at them.
No two are alike either. Each has some flaw that defines them, just as their strengths define them. Their fears are useful too. If a character fears dark places, then put her there sooner or later so she will have to overcome that fear. Challenge each one with the toughest conditions you can come up with. Don't feel sorry for them, don't let up. Once they conquer one challenge, hit them with another. They will develop their own strengths and weaknesses.
Not only is it important to create different characters for your novel, it is important they don't all speak alike. Perfection is boring, as is perfect English as the spoken word. So working on the dialog of each character is so essential. In today's world, though, dialect is a no-no. That was popular when Mark Twain was writing his wonderful books. It no longer is. A word or two, sprinkled sparsely is enough. It's sufficient to say he spoke with a Western twang and dropped his gs, or she spoke with a southern drawl as sweet as honey, than it is to try and write their speeches phonetically.
Some writers make charts for their characters. I don't. Mine develop their own lives as I write the first two or three chapters. It's fun to discover from my heroine that she is afraid of rats and not snakes, or that she is tolerant of the behavior of the hero because she has three brothers, and then realize three or four chapters later that this is going to work fine with a scene. Of course, this means a lot of scribbling as I write to make sure I don't forget anything. I'm a firm believer that our brains allow certain things to happen for a reason when we write. We should go with our "gut" so to speak. However, some people cannot write that way, and that's fine. Make charts, do outlines, write synopsis if you want.
Create characters that readers can relate to, sympathize with, laugh and cry with, and you'll have a good book.


Velda Brotherton is the author of 15 historical books, both fiction and nonfiction. She writes of romance in the old West with an authenticity that makes her many historical characters ring true. A knowledge of the rich history of our country comes through in both her fiction and nonfiction books, as well as in her writing workshops and speaking engagements. She just as easily steps out of the past into contemporary settings to create novels about women with the ability to conquer life’s difficult challenges. Tough heroines, strong and gentle heroes, villains to die for, all live in the pages of her novels and books.

You can visit her at:

Twitter: @veldabrotherton 

Buy link:  http://www.amazon.com/dp/B009Y89PXW  Wilda's Outlaw

Wednesday, April 17, 2013

Burning questions

 
 
 
Ok, it's not really a quiz and there are no wrong answers, I just wanted to get you attention.  I am curious about a few things and hope you can help me out...
 
 
Ready?
 
 
Question 1 - how do you browse for books? find books?
  • in bookstores
  • online
  • social media
  • blogs
  • mystery magazines
  • reviews/coverage in newspapers
Question 2 - if you are browsing in a bookstore, what formats are you looking at? Or what format do you prefer? Does the format deter you from buying the book?
  • mass market
  • trade paper
  • hardcover
  • ebook
Question 3 - when considering a book, what is more important - critical reviews from publications like Library Journal, Publishers Weekly, etc or author blurbs? Or is it the cover art? Back cover copy? Or do you just open it up and start reading?
 
Question 4 - do you partake in various promotions such as the Amazon Daily Deals, Goodreads giveaways, etc?
 
Final essay
 
If you had a publisher's undivided attention, what you would you want us to know?
 
 
 
Thank you!!

Next week I will put the names of all the commenters in a hat and draw a name.  That lucky duck will get a nice selection of MI books.
 


Carved in Darkness... Synopsis and Reviews

 By: Maegan Beaumont

It's almost here! The debut of my first novel, Carved in Darkness, is upon us (May 8th!). In anticipation, I thought I'd share a short synopsis along with a few reviews....





Past horrors bleed into a present-day nightmare

Fifteen years ago, a psychotic killer abducted seventeen-year-old Melissa Walker. For 83 days she was raped, tortured, and then left for dead in a deserted churchyard . . . but she was still alive.

Melissa begins a new life as homicide inspector Sabrina Vaughn. With a new face and a new name, it’s her job to hunt down murderers—a job she does very well.

But when Michael O’Shea, a childhood acquaintance with a suspicious past, suddenly finds her, he brings to life the nightmare Sabrina has long since buried.

Believing his sister was recently murdered by the same monster who attacked Sabrina, Michael is dead set on getting his revenge—using Sabrina as bait.


Praise for Carved in Darkness:

“Beaumont knows how to keep you on the edge of your seat . . . Buckle up for the ride of a lifetime, this one is the roughest rollercoaster you ever had to endure.”—Suspense Magazine

“Pulse-pounding terror, graphic violence and a loathsome killer.”—Kirkus Reviews

“Beaumont knows how to cook up and serve a dish called revenge, but she doesn't serve it cold. She serves it sizzling hot."—Vincent Zandri, bestselling author of The Remains and Murder by Moonlight


 Maegan Beaumont is the author of CARVED IN DARKNESS, the first book in the Sabrina Vaughn thriller series (Available through Midnight Ink, spring 2013). A native Phoenician, Maegan’s stories are meant to make you wonder what the guy standing in front of you in the Starbucks line has locked in his basement, and feel a strong desire to sleep with the light on. When she isn’t busy fulfilling her duties as Domestic Goddess for her high school sweetheart turned husband, Joe, and their four children, she is locked in her office with her computer, her coffee pot and her Rhodesian Ridgeback, and one true love, Jade.



















Saturday, April 13, 2013

INKSPOT NEWS - April 13, 2013

On Saturday, April 20th, from 1:00 – 3:00 PM, Midnight Ink author Beth Groundwater will sign books at the 2013 Longmont Library Festival's Colorado Author Open House in the Longmont Public Library, 409 4th Ave., Longmont, CO 80501.

Also on Saturday, April 20th, Deborah Sharp will be among dozens of authors scheduled to take part in the 15th Annual Southern Kentucky Bookfest in Bowling Green. Deborah's mystery panel is slotted for 1:45 pm in the Carroll Knicely Conference Center, 654 Campbell Lane, Bowling Green, KY 42101. The event is a fundraiser to promote literacy in the region.