Yoga Studios Fact and Fiction

First of all, I’d like to say that I’m absolutely delighted to be part of the regular blog rotation on Inkspot. Anyone who’s read my first book knows that my series features a yoga studio owner with a crazy German shepherd sidekick. (Kate’s other claim to fame is that she occasionally stumbles over dead bodies.) Anyone who’s read my bio knows that I’m also yoga studio owner with a crazy German shepherd sidekick. 

 

So, a question naturally arises. Is Kate really me and is Bella really my German shepherd, Tasha?  The answers to both of those questions are a little “yes” and a lot “no.”  But those are blog articles for another day. The question that I haven’t been asked (at least not that I remember) is whether Kate’s studio, Serenity Yoga, is actually my studio, Whole Life Yoga.

The answer?  A little yes and a lot no.  ;-)  

Similarities between the two businesses:

·        Location location, location. Both studios are located in the Greenwood neighborhood of Seattle, in newer construction mixed use buildings (meaning that there are businesses on the ground floor, apartments above). The surrounding businesses, however, are different. Kate is blessed with a grocery store, a Greek deli, and Pete’s Pets (a pet food store) as neighbors.  I am blessed with a hair salon, an Irish dance studio, and a sports bar.  Both studios are located on the same block as several infamous dive bars.

·        Gremlins.  In my first book, Kate’s studio is plagued by a variety of mysterious issues, including plumbing problems, an “unlockable” front door, and mysteriously flickering lights.  My studio has struggled with the same issues.  The door lock and toilet have been replaced, but we still can’t figure out those darned lights, after 10 years of trying. And now there’s the phantom wall squeak….

·        Murder. About a year after my first book was finished, a man was murdered in a pet store parking lot a block away from my studio.  Kate finds her first body in the parking lot shared by her studio and the pet store.  Hopefully that trend won’t continue.

Differences:

·        Size matters.  Kate’s studio is bigger than mine and offers significantly more classes.  She spends a lot more time on site at her studio than I do as well.  (I manage my business from a home office.)

 

·        Yoga lineage.  There are a gazillion types of yoga out there, and Kate’s studio offers many of them. (Except for hot yoga—she could never afford the heat bills!)  My studio is dedicated to the Viniyoga lineage, and all of the teachers who work at Whole Life Yoga have been personally certified by me.

·        Longevity.  My studio opened in 2001.  Kate’s has only been open for about two years when the first book opens.  She’s facing many of the financial struggles I did when I first opened, but thankfully most of those days are behind me.

In the end, the biggest similarity between the two studios is their intent.  Both Kate and I believe that yoga can serve all people regardless of shape, size, age, or fitness level.  That includes you!

Go out and find your own version of Serenity Yoga!

Namaste

Tracy Weber

          

About Tracy:

My writing is an expression of the things I love best: yoga, dogs, and murder mysteries. I'm a certified yoga teacher and the founder of Whole Life Yoga, an award-winning yoga studio in Seattle, WA. I enjoy sharing my passion for yoga and animals in any form possible.  My husband and I live with our challenging yet amazing German shepherd Tasha and our bonito flake-loving cat Maggie. When I’m not writing, I spend my time teaching yoga, walking Tasha, and sipping Blackthorn cider at my favorite local ale house.

For more information, visit me online at http://tracyweberauthor.com/ and http://wholelifeyoga.com/

August 2014 Books Available Now!

Don't miss Midnight Ink's newest releases! 

"Packed with thrills and high-octane action, Bitter Crossing is an impressive debut with a fearless heroine you'll want to follow for many adventures to come."

—Tess Gerritsen, New York Times bestselling author of the Rizzoli & Isles series on Bitter Crossing

"A classic country-house mystery, with modern day twists and turns adding to the fun."

—Booklist on Murder at Midnight

"A lively debut."

—Kirkus Reviews on Terminated

Available now from Midnight Ink, Barnes & Noble, Amazon or your local bookseller!

Teaching An Old Dog

by Shannon Baker

I’ve reached that curmudgeon stage when I find myself grumbling, “I don’t like change.” Some of you who know me will laugh at that because I’ve moved eight times in the last eleven years. But I’m talking about technology.

I haven’t always been so sluggish. Back in the day, I actually could program my VCR. I was an early adopter with computers, using one of the first Peachtree accounting programs. I wrote features for an online newspaper when it was a brand new phenomenon, and had a bag phone before the Big Lebowski made it look cool.

Still, as technology accelerates and especially since my last daughter left home, I seem to be falling further behind. I was just getting the hang of using the remote to DVR and create my own programing when we moved to rural Nebraska last fall, where we don’t get those handy options.

Last spring, a friend of mine published an audio book and wanted me to review it. Strictly because of this need-to-know, I entered in the world of audio books. That’s so freaking awesome! I can walk and listen to books on my phone. I’m getting so much more “reading” done now. I’m even really close to figuring out Overdrive and being able to borrow audio books from the library. As soon as the books I bought are finished, I’ll need-to-know how and I’ll do it.

Now, thanks to my good friend, Mark Stevens, (Allison Coil Mystery Series), I have to learn yet another new thing. He keeps telling me about these great podcasts for writers and readers. In fact, one of his suggestions—which he wrote about in the Rocky Mountain Fiction Writers August newsletter—is called just that, Reading and Writing Podcast.

How hard can this be?

Ha. All I wanted to do was download these podcasts onto my phone so I can happily tromp around town, ear buds inserted and listen. But my phone is an Android and these are iTunes. Or something. At any rate, my silly phone refuses to download the app to make listening possible. I know there’s a way to do this and it frustrates me to no  end!

After way too much time, I finally resorted to kyping my husband’s iPod Shuffle. Then I had to figure out how to use that. Not impossible but a small learning curve was involved. All set and very happy, phone stuffed into my pocket--because who would leave the house without the ability to check email or take a call?—Shuffle clipped onto my T-shirt, earbuds firmly planted, I can wander around my small town for hours. I’m reading and being inspired and sinking deeply into the writer’s brain.

But now I have a very low-tech problem. Walking and running have always been my free-brain time. That’s when my mind wanders and weaves into my stories and characters. Whenever I have a particularly hairy story issue, I strap on my tennis shoes and off I go.

I love my new resources but I need my old untethered time, too. Guess I’ll just have to put in more miles.

How about you? How do you balance reading and learning with dreaming time?

Dying for a Sequel

By Tj O'Connor, author of Dying to Know and Dying for the Past

There is nothing more gratifying, and terrifying at the same time, than publishing your first novel. Before getting that heart-stopping telephone call from your agent that, yes, some brilliant and forward-thinking publisher would be putting your work to print, you had but one litmus test for your story—publishing. After the call, the terror sets in—what if no one buys it? What if the critics hate it? Worse… what the hell will I do for an encore?

The answers to the first two questions—sales and critics—is fodder for a future blog. For now, the answer to “what the hell will I do for an encore” is easy…Write a sequel.

And therein lies the terror. Oh, so many terrors. What if I can’t capture the story and characters again? What if the first one fails and the second one is worse? Worse… what if the first one is great and the second one stinks? What if… And so goes the sleepless nights and reams of paper in search of the solution.

When Midnight Ink demonstrated their class and stature in the publishing world by signing me to write three novels in the Gumshoe Ghost series (note—this series title is not my doing…honest!), I had already penned two more murder, different mysteries—New Sins for Old Scores, which my agent is currently trying to place in the market (any of you publishing pros out there, here’s your chance… call my Kimberley Cameron!) and The Killing of Tyler Quinn, which is presently in rewrite. But Midnight Ink wanted two more Oliver Tucker stories—the Gumshoe Ghost himself—so I teed up Dying for the Past, which will be out January 8, 2015, and Dying to Tell, coming in 2016.

The first dilemma I had was how to transition from book one to book two, Dying for the Past. Let me set the stage for the difficulties I had. Book one—Dying to Know—is the story of Oliver “Tuck” Tucker, a detective murdered in the opening chapter who returns to help his wife, Angel, and former partner, Bear Braddock, solve his crime. Of course, there are a half-dozen other important characters, including Hercule, Tuck’s black Lab companion; Poor Nic, a loveable/hateable retired mobster; and several secondary characters of note, too. The story, as with all the sequels, intertwines a current murder with a historical subplot involving murder and intrigue. The two story lines weave and cross back and forth and conclude together. Always. Thus, there are two timelines surrounding the characters—the present concerning the murder, and the distant past surrounding the historical plot. Tuck can move between these timelines and does to solve the cases. It’s like playing three dimensional chess with dead bodies!

So, the dilemma was—do I treat Dying for the Past (book two) like a standalone story or write it as though it’s simply the next chapter of a longer story. In my case, I took an eclectic approach and wrote Dying for the Past as a standalone story, but let the storyline flirt with Dying to Know (book one) as though a continuing chapter in Tuck’s larger story. Thus, in Dying for the Past, I have an entirely new murder(s) and the historical subplot that includes 1939 gangsters, Russian spies, and the search for the book that has the key to modern day spies and traitors. I reintroduced my characters, periodically mentioned the plot and outcome of the Dying to Know—but sparingly—and created a new cast of fresh good guys and bad guys to support those returning characters from Dying to Know. And, much to my pleasure, it worked—having a dead guy solve crimes creates a lot of challenges!

Part of the allure of a good mystery is the characters. They have fears, strengths, weaknesses, and history to unravel. After exhausting myself trying to make Dying to Know a good mystery novel, I was again terrified about how I would keep my main characters fresh, interesting, and still a little mysterious to any reader who already read the first novel. The danger would be having nothing new for the reader to learn about them.

I found the solution by developing the second set of support characters for Dying for the Past. Each of the Gumshoe Ghost sequels will have new characters supporting the story—after all, it’s a murder mystery so not all of them will make it to “The End.” And these new characters allowed me to create new fears, strengths, weaknesses, and storylines for my main characters to evolve. Human nature is that way, right? How you act with one person is not always the same as with another. How you respond to one situation or crisis is not always the same as in another, particularly if new people are involved. I used these new characters to drive my main character’s new storylines and, in doing that, create new things for the reader to discover about them. In book one—Dying to Know— Tuck is learning how to be a dead detective. In book two—Dying for the Past—Tuck finds his family roots; and some are roses and some are deadly nightshade, let me tell you. Now, Angel and Bear are coming to grips with Tuck’s demise—after all, figuring out how to live and work with a dead guy isn’t easy. There are other key characters, too—like Poor Nic, the loveable/hateable retired mob boss—who has so many skeletons in his closet that Tuck can’t count them.

As Tuck’s sequels continue, Tuck will learn more and more about his family and with each one, have to investigate yet another historical crime along with a new one. Angel and Bear will find out that life with and without Tuck has a lot of twists and turns. The new characters in each sequel will bring along their own baggage, influences on the main characters, and body bags.

The biggest conflict I found in writing sequels was deciding which characters to keep around and which to send on vacation. In book one—Dying to Know—I received a lot of great comments about several characters—Poor Nic, the aforementioned love/hate mobster; André Cartier, Angel’s uncle; Detectives Cal Clemens and Mike Spence, the brilliant yet bumbling partners; and even Doc Gilley, Tuck’s spirit mentor. My problem was, in book two—Dying for the Past—I had a new crew of story characters to add and didn’t have room for everyone to return. The questions were: who would sit out the sequels? How do I explain where they went—not everyone can be sick or on vacation, right? Who would be most popular or have the biggest impact on the series? The answer lay in what I like to think was a brilliant strategy—I listened to my readers,  asked my agent and publicist, and read who the critics keyed on. Then, I ignored all that and kept those characters who moved me. You see, certain characters came alive to me—other than Tuck, Angel, and Bear, that is. They presented so many possibilities for future stories and subplots that I had to keep them around and use them to stir things up. In the end, if they stirred things up in book one, they returned to book two. If not, they got the flu, moved away, were out to lunch, on vacation… you get the idea.

After all is said, there were so many challenges to writing my sequels, I cannot recall them all. But it suffices to say, they kept me up many, many nights.

Dying for the Past is a better novel than Dying to Know, and I hope Dying to Tell is better than both. You see, I think I’m learning as I go and my characters are teaching me. Dying for the Past was challenging, too, as it made me search for what I wanted from Tuck, Angel, Bear, and even Poor Nic. With each sequel, I will try to challenge each of my characters to keep my readers—and me—guessing. After all, I write what my characters tell me—resistance to them is futile.

I’ve just wrapped Dying to Tell—book three—and after explaining my process for dealing with sequels, I have some rewriting to do!  I hope you enjoy Tuck’s cases in Dying to Know, Dying for the Past, and Dying to Tell… visit my site and drop me a line. I’d love to hear from you!

 

Tj O’Connor lives in Virginia with his wife and three Labs. Dying to Know is the fourth of his eight novels and is currently available in bookstores and online. Dying for the Past is his first of two sequels to Dying to Know and will be released January 8, 2015—available now for pre-orders! Tj is an international security consultant specializing in anti-terrorism and investigations.

Learn about his world at www.tjoconnor.com and Facebook at www.facebook.com/TjOConnor.Author.

Where Are You?

... and I don't mean physically.  Well, okay, maybe I do.  Where you live certainly can affect the rest of your life.

But what I'm talking about is where are you in your life?  Have you figured out your goals?  How close are you to achieving them? 

Since I can't have an actual conversation with you on this blog (although I can somewhat if you comment, and I comment back), I'll talk about myself and let you chime in--mentally, if not physically.

I always wanted to write, even from the time I was a young kid.  Oh, I did fine in other classes in those days, but writing, in my English classes and otherwise, was my favorite thing.

And now, I can do it full time!

My earlier careers included running a small newspaper, working in an ad agency, and being a lawyer.  Guess what.  All of them involved writing.  And some of them even involved fiction writing... of sorts.  Hey, I've always said that writing contracts was another form of fiction!

So I've always been chasing my dream and now I'm accomplishing it.  I've been writing now for quite a few years, in fact.  My first Superstition Mystery, LOST UNDER A LADDER, will be an October release from Midnight Ink, and I'm also working on another mystery series for MI.  I additionally write romance for two Harlequin series.  And I've written a couple of other mystery series for Berkley Prime Crime.

Where am I?  Pretty much where I want to be.

And so I ask you again: where are you?



--Posted by Linda O. Johnston